Memory tests with Mario Pirovano

It seems easy to be supportive... #1

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How do they laugh in Africa? #2

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Simone, do you want to go to Mozambique? #3

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I am going to Mozambique! But to do what? #4

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The meetings #5

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Where do I start? #6

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Meeting with

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The first contacts with Mozambique #8

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Agenda first mission in Mozambique #9

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First mission: arrival in Maputo #1

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But where am I? #2

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Meeting with Alvim Cossa #3

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Teatro do Oprimido Show #4

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Meeting with the Machaka Association #5

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The Show by the Machaka Group #6

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Manuela Soeiro and the Avenida Theater #7

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Gonçalo Mabunda #8

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Meeting with the Luarte Association #9

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Luarte Show #10

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Maputo - Pemba Journey #11

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Vitor Raposo #12

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Pemba – Palma Trip #13

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Visit to the village of Quionga #14

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Visit to the village of Quirindi #15

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That wonderful beach! #16

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Visit to the village of Pundanhar #17

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The Mamãe Kit #18

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Visit to the hospital in Palma #19

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Return to Italy #20

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The project continues! #1

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How many meetings are we going to have?!? #2

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Agenda second mission in Mozambique #3

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Second mission in Mozambique, arrival at Pemba #4

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Felix Mambucho #5

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Performance Vitor Raposo and the Tambo Tambulani Tambo company #6

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Pemba – Palma Trip #7

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Performances at Palma, on with the casting! No, stop! #8

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Grupo do funzionarios #9

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Performances (and casting) in the village of Pundanhar #10

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Performances (and casting) in the village of Quionga #11

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Selecting the actors for the Italian stages #12

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Are you ready to come to Italy? #13

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The return to Italy and end of the second mission #14

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Preparing for the first training period at Alcatraz #1

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Arrival at the Libera Università di Alcatraz #2

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We begin! #3

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Mario Pirovano #4

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Acting with Mario Pirovano #5

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Arms going up on their own! #6

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A dive into the theatre #7

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Let’s tell a love story! #8

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Being an actor is hard work #9

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What days! #10

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O falso médico! #11

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We all go shopping! #12

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The performance takes shape #13

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We need an ultrasound! #14

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Rome has never been so beautiful! #15

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Second training session: the first day... #1

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The return of the Mozambicans #2

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A tragic day #3

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Memory tests with Mario Pirovano #4

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Rehearsals, rehearsals, rehearsals… and that script in 3 languages… #5

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First reading of the script in Swahili #6

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Just for a change, we rehearse... #7

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That damned video! #8

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In and around Perugia #9

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The last rehearsals #10

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Action! #11

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Changes to the show? Change the title?!? #1

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Confusion in Fatima’s House #2

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Preparation of the stage design #3

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Ready to go (again)? #1

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Arrival at Pemba #2

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At Palma under the palm trees (wet!) #3

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First day of the tour: Mute #4

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Second day of the tour: Pundanhar #5

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Third day of the tour: Quionga #6

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Fourth day of the tour: Palma #7

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Fifth day of the tour: Olumbe #8

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Thank you Mozambique, thank you so much! #9

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In the morning we sit around a table to read, read again and then recite the script of the performance from memory. When we reach the end, there’s a five-minute pause, then we start again.

The third, fourth time, the performance became a type of song that tended to draw you towards a state of meditation (I obviously didn’t have lines, so I just listened).

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The Mozambicans are improving daily, it seems that the night is magical for absorbing the instructions they received the day before. After having positioned the actors for a scene, the next day they would go to that same position, there was almost always no need to repeat the same thing twice…

Think about a genetic predisposition for art, a new theory… 🙂

If we could create the genetic mapping of these people I believe that we would almost certainly find genes dressed as clowns, or wearing their traditional masks.

If the scientific community doesn’t agree, come and see with your own eyes!

* * *

Afternoon. We commemorated the loss of a relative of one of the actors by going to Church at the same moment in which the “official” funeral was being held in Mozambique.

A song in the traditional Maputo language, three prayers, lovely words about losing and gaining (obviously not money!), Mario who sang an ode to death that was written by St. Francis of Assisi, Bruno who reads a poem.
My stomach gave a flip!

* * *

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Evening. Rehearsals, but there was no energy.

I grouped the actors into a circle, just like in a rugby match, and said that I understood the moment, I understood their sadness and that if they wanted they could bury themselves in their acting. Theatre’s like that…

The second rehearsal was like a river in full flow. For the first time the actors pulled out their voices and a persistent rhythm.

Even today, in spite of everything, the rehearsal went well. Tomorrow, we start off from here.