Preparation of the stage design

It seems easy to be supportive... #1

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How do they laugh in Africa? #2

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Simone, do you want to go to Mozambique? #3

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I am going to Mozambique! But to do what? #4

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The meetings #5

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Where do I start? #6

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Meeting with

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The first contacts with Mozambique #8

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Agenda first mission in Mozambique #9

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First mission: arrival in Maputo #1

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But where am I? #2

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Meeting with Alvim Cossa #3

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Teatro do Oprimido Show #4

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Meeting with the Machaka Association #5

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The Show by the Machaka Group #6

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Manuela Soeiro and the Avenida Theater #7

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Gonçalo Mabunda #8

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Meeting with the Luarte Association #9

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Luarte Show #10

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Maputo - Pemba Journey #11

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Vitor Raposo #12

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Pemba – Palma Trip #13

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Visit to the village of Quionga #14

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Visit to the village of Quirindi #15

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That wonderful beach! #16

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Visit to the village of Pundanhar #17

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The Mamãe Kit #18

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Visit to the hospital in Palma #19

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Return to Italy #20

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The project continues! #1

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How many meetings are we going to have?!? #2

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Agenda second mission in Mozambique #3

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Second mission in Mozambique, arrival at Pemba #4

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Felix Mambucho #5

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Performance Vitor Raposo and the Tambo Tambulani Tambo company #6

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Pemba – Palma Trip #7

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Performances at Palma, on with the casting! No, stop! #8

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Grupo do funzionarios #9

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Performances (and casting) in the village of Pundanhar #10

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Performances (and casting) in the village of Quionga #11

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Selecting the actors for the Italian stages #12

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Are you ready to come to Italy? #13

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The return to Italy and end of the second mission #14

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Preparing for the first training period at Alcatraz #1

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Arrival at the Libera Università di Alcatraz #2

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We begin! #3

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Mario Pirovano #4

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Acting with Mario Pirovano #5

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Arms going up on their own! #6

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A dive into the theatre #7

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Let’s tell a love story! #8

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Being an actor is hard work #9

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What days! #10

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O falso médico! #11

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We all go shopping! #12

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The performance takes shape #13

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We need an ultrasound! #14

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Rome has never been so beautiful! #15

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Second training session: the first day... #1

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The return of the Mozambicans #2

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A tragic day #3

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Memory tests with Mario Pirovano #4

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Rehearsals, rehearsals, rehearsals… and that script in 3 languages… #5

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First reading of the script in Swahili #6

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Just for a change, we rehearse... #7

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That damned video! #8

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In and around Perugia #9

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The last rehearsals #10

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Action! #11

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Changes to the show? Change the title?!? #1

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Confusion in Fatima’s House #2

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Preparation of the stage design #3

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Ready to go (again)? #1

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Arrival at Pemba #2

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At Palma under the palm trees (wet!) #3

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First day of the tour: Mute #4

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Second day of the tour: Pundanhar #5

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Third day of the tour: Quionga #6

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Fourth day of the tour: Palma #7

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Fifth day of the tour: Olumbe #8

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Thank you Mozambique, thank you so much! #9

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The show includes some costumes: white coats for doctors and midwives, a huge syringe and an enormous thermometer, obviously fake ones for the fake doctor, syringes, a drip and a real stethoscope for the real doctor. A computer to “simulate” the ultrasound machine.

The set design behind the actors: two cotton sheets with drawings on them, six meters by three each. The first will show a forest and it will stay on stage throughout the first part of the show, while the second one will show the inside of the hospital and it will appear when ,in the second part of the show, the real doctor receives the two pregnant protagonists and examines them with the ultrasound machine.

In the last part, in which one of the actresses reads out a series of health recommendations to new mothers and pregnant women, the male actors enter and leave the scene holding “health posters”, exclusively hand-drawn, posters that will reinforce what the actress reads out. This ranges from breastfeeding, baby care to proper storage of food.

The preparation of the two sheets for the set and the 6 health sheets (one meter by one meter and a half in height) took 3 months of work!

And we started with a blank sheet of paper.

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Jacopo drew the first sketch, then it was turned into a first digital draft proportionate to the actual size of the canvas.

Then the draft was projected onto the canvas and the outlines were drawn. Then the canvas was spread onto the ground and we started to paint. First the backgrounds and the basic colours, then the curves, then the lights and shadows, then the finishing touch.

After a month of work, three / four people busy for half days, we finished the first canvas, the forest.

Another month for the inside of the hospital, a month for six health posters … everything would be ready the day before the beginning of the tour.

But … “Houston, we have a problem”: the show is in Mozambique, the set designs are in Italy!

During the last weeks of work I handed a brush to anyone who entered the hangar at Alcatraz. We had meetings with

Jacopo while he was colouring the health poster of the woman breastfeeding or of the woman eating.

The last brushstroke on the last health poster was given the night before we closed the boxes with all the stage props leaving for Mozambique: when we folded the sheet for the last time before shipping the colour was not completely dry yet.

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A structure is needed to hold up the sets, a self-supporting, safe, portable and easy to assemble structure that also allows a fast change of the set designs during the show.
The structure developed in secret laboratories at Alcatraz can withstand an earthquake.

Simple hydraulic pipes screwed together to form a football goal. Pegs at the base to secure it to the ground and the canvases tied in front of it. Two ropes to pull the bottom corners of the first canvas which as going up reveals the second scene. When writing about it, it looks like a walk in the park but we tested it for days, sewed the edges of the sheets, reinforced it over here, over there, the strings, and then we tried to assemble it again, disassemble it, once again, come on!

Here are some photos of the preparations of the stage design and the health posters. We thank for the help and love shed onto those canvases: Jacopo Fo, Armando Tondo, Elena Zanforlin, Elisa Orrico, Maria Pia Bee.
For the structure: Stefano Bertea, Andrea Casciari, Mattea Fo.

As for me, Simone, I put psychological pressure on them in order make them move on, finish, stop changing, adding, retouching. This is also a job 🙂

First scene: the forest
Second scene: the inside of the hospital
Health posters: consult a doctor / pregnant woman, nutrition, breastfeeding, vaccinations, medications, washing hands.